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捆绑上天堂
2024 2.0分 剧情片
<p>一个筋疲力尽的女人(倪妮 饰)点燃了一个心如槁木的男人(周游 饰),他们随欲而爱,开始了一段灵与肉、生与死紧紧捆绑的流亡之旅。   三地辗转,燃烧着,共入地狱。   四季流转,爱爽了,再上天堂。</p>
HD国语
河湟谣
2026 7.0分 剧情片
<p>二十世纪九十年代,西宁被南北荒山环绕,风沙肆虐。青海机床厂的一群青年——消沉的林明山、执着的黄秋英、憨厚的朱有才、精明的马奔腾,在命运推动下投身绿化工程。他们在高寒干旱中摸索种树良法,经历战友牺牲的悲痛与误解纷争的考验,最终用智慧与数十年的坚守,将不毛之地变为绿水青山。影片以两代人接力的感人故事,再现西宁南北山绿化奇迹,礼赞艰苦奋斗、甘于奉献的生态文明建设者.</p>..
HD国语
猿山异闻录
2026 2.0分 剧情片
<p>&nbsp;据传闻,古时候有座山叫猿猴山,猿猴山有一国,名为猿国。猿国有一罕见白猿,猿国尊护白猿为神,称“猿神”,百姓日夜供奉,祈求平安。近日,有传言说“猿神”暴怒,不会再庇护猿国了,国主才会久病不起,导致猿国上下人心惶惶。为了稳定民心,猿国国主请求太极村掌门延一道人帮助猿国调查传言真相,让百姓心安。延一道人派遣弟子玄城前往猿国协助,探寻背后真相。</p>
HD中字
不允许带狗
2024 2.0分 剧情片
<p>&nbsp;十五岁的加博,表面过着平凡简单的青少年生活,背后却隐藏着不可告人的秘密—-他恋上好友的弟弟,而弟弟只有八岁!他在网上论坛寻求建议,试图抑制恋童欲望,因而结识了恋少年经验丰富的戴夫。直至戴夫因涉嫌侵犯未成年少年受到警方调查,加博终于不得不面对一场自我审问:他到底是受害人,还是施害者?改编自真实事件,来自德国的史蒂夫.巴赫大胆直面禁忌话题,以敏锐成熟的笔触,探问..
HD中字
爱猫人
2023 2.0分 剧情片
<p>&nbsp;在电影院打工的大学生玛格特(艾米莉亚·琼斯 Emilia Jones 饰)结识经常来看电影的男子罗伯特(尼可拉斯·博朗 Nicholas Braun 饰),二人的感情慢慢升温。前者渐渐发现后者身上的一些警告信号,其中一个就是自称“爱猫之人”的罗伯特,根本就没有养猫。玛格特需要找到安全脱离这段关系的办法。</p>
HD中字

《不安分的年轻人们》剧情介绍

乐播影院提供影视作品不安分的年轻人们高清全集在线观看的影视全集网,剧情片《不安分的年轻人们》全集作品的导演是马塞尔·卡尔内   ,由帕斯卡尔·普缇  安德丽·帕里西  雅克·夏里尔  洛朗·特兹弗  让-保罗·贝尔蒙多  达妮·萨瓦尔  主演,不安分的年轻人们在豆瓣的评分为9.0,本片由小编于2026-01-30 00:41更新,希望大家喜欢,可以把《不安分的年轻人们》推荐给你朋友,本作品的地址为 https://www.39lf.com/39/43084.html

《不安分的年轻人们》简介:  Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic&#39;s only dream is to own a luxury car, and with Bob&#39;s help, she manages to find the money to but it. Mic&#39;s friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné&#39;s earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean&#39;s films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné&#39;s treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo&#39;s breakthrough had to wait until the following year when he starred in Jean-Luc Godard&#39;s revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

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